F* OFF Lyrics – Kenia OS, Bella Poarch

[Intro: Kenia OS]
(Fu*k off, off)
(Fu*k off)
Vi que llamaste
Que “cómo estoy” me preg*ntaste (Me preg*ntaste)
Dices que me pensaste
Y si he podido perdonarte (Ay, ay, ay)

[Coro: Kenia OS]
Atentamente, fu*k off (Fu*k off)
Si piensas que te quiero ver, bebé, estás psycho
No es personal, pero es que ni durabas tanto (Tanto)
Bajarle un poco al ego no te haría daño
Por si me estás llamando

[Post-Coro: Kenia OS]
Atentamente, fu*k off
Ah-ah-ah-ah
Fu*k off
Atentamente

[Verso 1: Bella Poarch]
Not impressed with your show and tell
Brought your best, didn’t go so well (Oh, well)
I guess I’ll have to do it all by myself
Now you wanna go back in time? (Ew, no)
I would rather die
Yet it’s kinda funny when I see you try, huh-uh-uh-uh

[Pre-Coro: Bella Poarch & Kenia OS]
Hah, ah-ah-ah
Done, done fu*king with fu*kboys
Cancelamo’ a los fu*kboys
Hah, ah-ah-ah, ah-ah-ah
Done, done fu*king with fu*kboys
(Pero somos like, too iconic for that, hahahaha)

[Coro: Bella Poarch]
Atentamente, fu*k off
Si piensas que te quiero ver, bebé, estás psycho
No es personal, pero es que ni durabas tanto (Tanto)
Bajarle un poco al ego no te haría daño
Por si me estás llamando

[Post-Coro: Bella Poarch]
Atentamente, fu*k off
Hah, ah-ah-ah
Fu*k off
Atentamente

[Verso 2: Kenia OS]
Tú me tiras, pero game over
Yo me quedo con el Range Rover
Treinta días y contando, y tú esperando
De tu boca I’ma stay sober
Jugando contigo como tic-tac-toe
Mando XO, besos a mi ex ass hoe
Tap, tap, tap, tap me en tu videophone
Esta la hice pa’ que llores

[Pre-Coro: Bella Poarch & Kenia OS]
Hah, ah-ah-ah
Done, done fu*king with fu*kboys
Cancelamo’ a los fu*kboys
Ah, ah-ah-ah, ah-ah-ah
Done, done fu*king with fu*kboys
(Pero somos like, too iconic for that, hahahaha)

[Coro: Kenia OS]
Atentamente, fu*k off (Fu*k off)
Si piensas que te quiero ver, bebé, estás psycho
No es personal, pero es que ni durabas tanto (Tanto)
Bajarle un poco al ego no te haría daño
Por si me estás llamando
Atentamente, fu*k off (Fu*k off)
El primer puesto para tu papel de santo (De santo)
Las flores que dejaste las estoy quemando (Ah)
De tus amigos hay uno que está tirando
Por si me estás llamando

[Post-Coro: Kenia OS]
Atentamente, fu*k off
Ah-ah-ah-ah
Fu*k off
Atentamente
Atentamente, fu*k off
Ah-ah-ah-ah
Fu*k off

[Outro: Bella Poarch]
Fu*k off
Hah, ah-ah-ah
Fu*k off

[Intro: Kenia OS]
This intro expresses dismissal and disinterest (“Fu*k off”) towards someone who called and asked how the speaker is, questioning if they’ve been forgiven.

[Coro: Kenia OS]
The chorus conveys a clear message of disinterest (“fu*k off”) towards someone who thinks the speaker wants to see them, asserting their independence and advising the person to lower their ego.

[Post-Coro: Kenia OS]
It repeats the dismissive sentiment expressed in the chorus, reinforcing the message to the recipient to leave the speaker alone.

[Verso 1: Bella Poarch]
The first verse reflects a lack of interest in someone’s attempts to impress (“Not impressed with your show and tell”) and suggests the speaker would rather rely on themselves than entertain the idea of going back in time with the person.

[Pre-Coro: Bella Poarch & Kenia OS]
It humorously declares the end of dealing with “fu*kboys” and asserts a self-assured stance, suggesting they are too iconic for such drama.

[Coro: Bella Poarch]
Similar to Kenia OS’s chorus, Bella Poarch’s chorus communicates disinterest and advises the person not to call, emphasizing that their presence doesn’t last long.

[Post-Coro: Bella Poarch]
Echoes the previous post-choruses, reiterating the message to leave the speaker alone.

[Verso 2: Kenia OS]
This verse dismisses the person’s attempts to engage romantically (“game over”), asserting the speaker’s independence and highlighting the futility of waiting for them.

[Pre-Coro: Bella Poarch & Kenia OS]
A repetition of the earlier pre-chorus, reinforcing the rejection of “fu*kboys” and asserting their independence.

[Coro: Kenia OS]
Expands on the earlier chorus, continuing the theme of disinterest, highlighting the person’s flawed character, and burning bridges with their past (“Las flores que dejaste las estoy quemando”).

[Post-Coro: Kenia OS]
Repeats the post-chorus, emphasizing the desire for the person to leave the speaker alone.

[Outro: Bella Poarch]
A final reinforcement of the dismissive sentiment, ending with a clear message of disinterest and detachment.