Gimmie A Light Lyrics – Ice Spice

[Intro: Sean Paul]
Just gimme the light and pass the dro
Buss anotha bokkle a Moët
Gyal dem inna mi sight and I gots to know
Which one is gonna catch my flow (Stop playing with ’em, Riot)

[Chorus]
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)

[Verse 1]
Big knock, like I’m not a fighter (Grrah)
Big Ice, I don’t need a writer (Like)
Her man calling me baby (Grrah)
I’m Miss Poopie like I need a diaper (Grrah)
Watch your mouth ’cause my b!tch get scrappy (Scrappy)
Fu*k you mean, b!tch? It never gave tacky (What?)
Off the liquor, we be getting nasty (Huh?)
Ghetto, fabulous, and fancy (Damn)
She getting loud, but nobody moved (Word)
Talk of the town, I’m making the news (Facts)
Pretty-ass face and some pretty-ass boobs
Pretty-ass b!tch, I be shaking the room (Grrah)
Stank-ass b!tch tryna grill me
She acting lost, but of course, she in tune (Grrah)

[Chorus]
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)

[Verse 2]
I take her man out of boredom (Grrah)
Bad b!tch, came straight outta Fordham (Grrah)
Now I’m rocking Balenci’ (Damn)
I remember I couldn’t afford ’em (Damn)
Like b!tches be losing the plot (Damn)
And that’s how I got to the top (Grrah)
And, no, I don’t got any opps (Grrah)
Like, why would I beef with a flop? (Grrah)
Like let’s talk drill (Grrah)
Who bigger than she? (Like)
Who prettier too? (Like)
Two-fifty to get in the booth (Damn)
Like let’s be real (Grrah)
Who bigger than me? (Grrah)
Who littier too? (Grrah)
That’s why I could take your boo (Damn)

[Chorus]
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)
Hotboxing the V like, “Gimme a light” (Where it’s at?)
Fat ass, so the pants fit tight, yeah
Take her man, I’m getting him right, yeah
Big knock like why would I fight? (Grrah)

[Outro: Sean Paul]
Jus gimme the light and pass the dro
Buss anotha bokkle a Moët
Gyal dem inna mi sight and I gots to know
Which one is gonna catch my flow
Cah me inna the vibes and I got my dough
Buss anotha bokkle a Moët
Gyal dem looking hype and I gots to know
One, two, three, four

[Intro: Sean Paul]
The introductory lines set the stage for the song’s narrative, establishing a scene of revelry and allure. Sean Paul’s invocation for a light and reference to Moët champagne immediately conjure images of a lively party atmosphere. The phrase “Gyal dem inna mi sight” signals a focus on relationships and attraction, suggesting that the narrator is surrounded by potential romantic interests. The line “Which one is gonna catch my flow” injects an element of anticipation, implying that the narrator is eager to see who will be drawn to their charisma and charm. The inclusion of “Stop playing with ’em, Riot” adds a playful and commanding tone, hinting at the narrator’s confidence and assertiveness.

[Chorus]
The chorus serves as a bold declaration of the narrator’s self-assurance and desirability. The imagery of “Hotboxing the V” suggests an intimate and intense setting, where the narrator exudes confidence and demands attention. The repetition of “Gimme a light” reinforces the narrator’s desire to be noticed and indulged. References to physical attributes like a “fat ass” and the assertion of taking someone’s partner convey a sense of dominance and allure. The defiant question “why would I fight?” further emphasizes the narrator’s confidence and refusal to be challenged.

[Verse 1]
In this verse, the narrator continues to assert their dominance and self-assuredness. The declaration of being “like I’m not a fighter” suggests that the narrator prefers to rely on their presence and charisma rather than physical confrontation. References to luxury brands like Balenciaga and indulgent behaviors like getting “nasty” off liquor paint a picture of opulence and hedonism. The portrayal of themselves as “ghetto, fabulous, and fancy” highlights the narrator’s multifaceted persona, blending elements of streetwise swagger with high-end sophistication. The mention of shaking the room with their presence underscores the narrator’s magnetic allure and ability to command attention effortlessly.

[Chorus]
The second chorus reiterates the themes of confidence and desirability established earlier. The narrator’s swagger remains unyielding as they assert their ability to captivate and entice others. The repetition of “Gimme a light” and references to physical attractiveness and dominance serve to reinforce the song’s central themes, amplifying the narrator’s swagger and appeal. The chorus serves as a triumphant declaration of the narrator’s irresistible charm and power.

[Verse 2]
In this verse, the narrator further flaunts their confidence and success, portraying themselves as a dominant figure in their social sphere. The assertion of taking someone’s partner out of boredom and references to luxury brands like Balenciaga underscore the narrator’s status and self-assurance. The dismissive attitude towards potential challengers and declaration of superiority highlight the narrator’s unwavering confidence and self-belief. References to their own desirability and ability to attract attention serve to reinforce the narrator’s dominance and allure, solidifying their position as a magnetic and commanding presence.

[Chorus]
The final chorus serves as a triumphant reaffirmation of the narrator’s confidence and desirability. The repetition of “Gimme a light” and references to physical attractiveness and dominance emphasize the narrator’s irresistible charm and power. The chorus encapsulates the song’s central themes of confidence, allure, and dominance, bringing the narrative full circle with a confident flourish. It serves as a bold declaration of the narrator’s unwavering self-assurance and magnetic appeal.

[Outro: Sean Paul]
The outro mirrors the introductory lines, providing a bookend to the song’s narrative. Sean Paul’s repetition of phrases like “gimme the light” and “buss another bottle of Moët” maintains the celebratory and hedonistic atmosphere established earlier. The mention of “gyal dem” and anticipation of catching someone’s attention suggest a continuation of the party and pursuit of pleasure. The outro serves as a fitting conclusion to the song, leaving the listener immersed in the narrator’s world of confidence, allure, and indulgence.