MICHAEL ROWE (IMPOSTERS) Lyrics – Jay Hound

MICHAEL ROWE (IMPOSTERS) Lyrics by Jay Hound is a brand new English song which is presented here. Michael Rowe (Imposters) song lyrics are penned down by Jay Hound while its tune is made by Jay Hound.

In “MICHAEL ROWE (IMPOSTERS)” by Jay Hound, the artist reflects on the complexities of reputation and authenticity in the rap game. Jay Hound navigates through a landscape of imposters and trolls, asserting his own credibility amidst the chaos. He confronts those who rap about actions they’ve never taken, questioning their integrity. Throughout the song, Jay Hound emphasizes the importance of respect and recognition for genuine experiences, contrasting them with the fabricated narratives of others. His lyrics delve into street life, recalling specific incidents and asserting his authenticity in the face of imitation. Ultimately, “MICHAEL ROWE (IMPOSTERS)” is a raw and introspective track that explores the blurred lines between reality and fiction in the world of hip-hop.

MICHAEL ROWE (IMPOSTERS) Lyrics by Jay Hound

[Intro]
Gangster, like (Ayo, Double, you—), free the Sweepers, free Nazzy, free Sdot, you know how we bleed, like
I’m coming home real soon, it’s G
(The following is a M3TTA meditation)
Word to bro (Jondior)
Flock, flock
Like, n!gga

[Chorus]
I was just chilling, I’m tryna be different
But n!ggas keep trolling, I’m back on that s*it
Out of respect
N!ggas gon’ give me my props ’cause they do everything that I did
You show ’em you better, then they take advantage
They get on the track and they all wanna diss (Grrah, grrah, boom)
I don’t understand
How could you rap about crimes you know you would never commit? (Like, word to bro)

[Verse]
Jay Hound this, Sweepers that
I don’t respond ’cause they know how I get (Word to bro)
I don’t watch reactions
S*it just be getting me mad ’cause they listen to s*it that be fiction
Talking ’bout s*it n!ggas know they ain’t living
On the Woo with the wig on the skillet (Word to bro)
I can’t let ’em know
That it was me on that block, I was ducking from all of them pictures (Grrah, grrah, boom)
Got my camera, ready to shoot (Like)
I bet you they won’t come outside for this image (TTGz do hits)
I gotta go
I cannot sit on that block after bullets was thrown on that n!gga (TTGz do hits)
How you gon’ make up a story ’bout s*it that we did
And say that y’all did it to us? (Like, like, how?)
Let’s talk facts
I was just on 89 and I made Lil’ DJ duck
Free my stars
Think ’cause we rapping that s*it die down, all that s*it’ll go up
‘Member that night on the— shh?
Lil’ bro threw a loaf at the crowd, had ’em running like ducks (Had ’em running like—)
MCFK, n!ggas gon’ rap all day, but not one of them can say that they tough (One of them can’t say that they—)
Bro threw the beam on and they made him run (They made him—)
Lot of lil’ n!ggas outside of they fun (Like, like)
Where is the n!ggas that’s rapping and say that they active?
Come to they block and it’s dust (And it’s dust)
And I came doley, ain’t hang with no one
I let ’em know it’s the gun that I trust (Grrah, grrah, boom)
I had enough
I know a block and they softer than fluff
Back in the day, n!ggas beat *** up (Like)
Drako, M Row, all got touched (Like, word to bro)
Like, why is he tryna push up
When the Sweeps got unlimited—
Go post in the back where they still moving sus’ (Like, like)
Flicking, watch all of them—, like, like

[Chorus]
I was just chilling, I’m tryna be different
But n!ggas keep trolling, I’m back on that s*it
Out of respect
N!ggas gon’ give me my props ’cause they do everything that I did
You show ’em you better, then they take advantage (Like)
They get on the track and they all wanna diss (Grrah, grrah, boom)
I don’t understand
How could you rap about crimes you know you would never commit? (Like, word to bro)

[Outro]
I was just chilling, I’m tryna be different
But n!ggas keep trolling, I’m back on that s*it
Out of respect
N!ggas gon’ give me my props ’cause they do everything that I did
You show ’em you better, then they take advantage
They get on the track and they all wanna diss
I don’t understand
How could you rap about crimes you know you would never commit?

MICHAEL ROWE (IMPOSTERS) Lyrics Explained

[Intro]]
The intro sets the tone with a blend of street vernacular and camaraderie, indicating a sense of brotherhood and loyalty among gang members. The shoutouts to individuals like Nazzy and Sdot suggest solidarity and support within the group. “Gangster, like” implies a familiarity with the lifestyle, while “flock, flock” could refer to a gathering or movement of people. The mention of coming home and a “M3TTA meditation” hints at a personal journey or reflection, perhaps indicating a return to roots or values. Overall, the intro serves as a prelude to the themes of loyalty, authenticity, and self-reflection that permeate the song.

[Chorus]]
The chorus highlights the artist’s struggle with staying true to himself in the face of others’ expectations and provocations. Despite attempting to distance himself from negativity and drama (“tryna be different”), the constant trolling and imitation pull him back into a familiar cycle (“I’m back on that s*it”). He emphasizes the importance of receiving recognition for his originality and accomplishments, lamenting the tendency for others to exploit his success (“You show ’em you better, then they take advantage”). The questioning of those who fabricate their personas and experiences in their music underscores the artist’s commitment to authenticity and integrity in his craft.

[Verse]]
In this verse, Jay Hound addresses various aspects of street life and rap culture, reflecting on his experiences and observations. He mentions specific individuals and events, alluding to conflicts and confrontations within his community. The verse juxtaposes moments of violence and bravado with introspective commentary on authenticity and reputation. Jay Hound expresses frustration with those who exploit or misrepresent their backgrounds for credibility in the rap game, contrasting their actions with his own lived experiences. The verse serves as a raw and unfiltered reflection on the complexities of street life and the music industry, showcasing Jay Hound’s perspective and values.

[Chorus]]
The second chorus reinforces the themes of authenticity and recognition introduced earlier in the song. Jay Hound reiterates his frustration with those who imitate his style or exploit his success for their own gain. He emphasizes the importance of integrity and honesty in his music, questioning the authenticity of artists who rap about experiences they have never lived. The repetition of the chorus underscores the artist’s conviction and determination to maintain his authenticity despite the pressures and challenges he faces in the industry.

[Outro]]
The outro echoes the sentiments expressed in the chorus, serving as a conclusion to the song’s themes of authenticity and recognition. Jay Hound reflects on his ongoing struggle to assert his identity and integrity in the face of imitation and exploitation. He questions the motives of those who fabricate their personas and experiences for success in the rap game, expressing disbelief and frustration at their lack of authenticity. The outro leaves listeners with a lingering sense of Jay Hound’s resolve to stay true to himself and his values, despite the challenges he faces in the industry.

Some Notable Phrases in Lyrics

1. Gangster, like: This phrase sets a tone of familiarity and camaraderie, implying a shared understanding of the street life or gang culture. The word “gangster” is often associated with a particular lifestyle characterized by criminal activities and a code of honor within certain communities. The addition of “like” at the end suggests that the speaker is comparing themselves or others to this archetype, affirming their allegiance or connection to that lifestyle. The inclusion of names like “Ayo” and “Double” further emphasizes this sense of belonging and solidarity within a specific group or community.

2. Word to bro: This phrase is a colloquial expression used to affirm the truthfulness or sincerity of a statement, often in reference to a close friend or associate (“bro”). It serves to underscore the speaker’s authenticity or genuine intentions in what they’re saying. By invoking a “bro” figure, the speaker signals a bond of trust or camaraderie, suggesting that what follows is to be taken seriously or regarded as a personal truth.

3. Flock, flock: The repetition of “flock” in this context likely carries a dual meaning. Literally, “flock” could refer to a group of birds flying together, but in the context of the song, it likely alludes to a gathering or movement of people, particularly within a street or gang context. The repetition emphasizes the significance or intensity of this gathering, perhaps suggesting a sense of unity or solidarity among those involved.

4. Out of respect: This phrase acknowledges the importance of respect within the speaker’s community or social circle. It implies that the speaker’s actions or decisions are motivated by a sense of honor or deference to others. In the context of the song, “out of respect” could signify adherence to certain codes or expectations within the speaker’s environment, reinforcing themes of loyalty and integrity.

5. Like, n!gga: This phrase is a colloquial expression commonly used in informal speech, particularly within certain cultural or social groups. The word “like” here serves as a filler or emphasis, while “n!gga” is a term often used among peers or friends, though its usage can vary greatly depending on context and cultural background. In the context of the song, it could signify familiarity or camaraderie among the speaker and their peers, reinforcing a sense of belonging or shared experience.

FAQs & Trivia

Who has sung “MICHAEL ROWE (IMPOSTERS)” song?
Jay Hound has sung “MICHAEL ROWE (IMPOSTERS)” song.

Who wrote the lyrics of “MICHAEL ROWE (IMPOSTERS)” song?
Jay Hound has written the lyrics of “MICHAEL ROWE (IMPOSTERS)” song.

Who has given the music of “MICHAEL ROWE (IMPOSTERS)” song?
Jay Hound has given the music of “MICHAEL ROWE (IMPOSTERS)” song.

Conclusion

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