NCA Lyrics (English Translation) – Ryan Castro

[Pre-Chorus]
Oe-oe-oh
Because since I saw you I knew I wanted to have you
Perrearte, guayarte until the morning
SOG (Oe-oe-oh)

[Chorus]
Baby, you don’t know what you got yourself into (Tra, tra)
I’m hypnotizing you, come to me
The flowcito that I sing to you will make me undress you’ (Tra, tra)
And do a little thing for me
Baby, what are you playing at? What did you get me into? (Tra, tra)
You’re hypnotizing me, I’m coming to you
With those old angel eyes (Tra, tra)
I do something for you

[Verse 1]
We arrived at the VIP with a tremendous note (Pu-pu-pu)
I hide it with glasses, it doesn’t show
At my side a chimbita, tremendous dark-haired (Shu!)
Walking until his buttocks bounce
Neas with attitude in the middle of the crowd
Shining we are pearls, we are gems, hey
Women in the disco shape us
Feeling on the block like Randy and like De La (SOG; oe-oe-oh)

[Chorus]
Baby, you don’t know what you got yourself into (Tra, tra)
I’m hypnotizing you, come to me
The flowcito that I sing to you will make me undress you’ (Tra, tra)
And do a little thing for me
Baby, what are you playing at? What did you get me into? (Tra, tra)
You’re hypnotizing me, I’m coming to you
With those old angel eyes (Tra, tra)
I do something for you

[Verse 2]
Hey, hey, roll it, dude
We are billing 420 every day
The more we walk, the more we fill the bag
The women ‘acclaim us, we stay with the game’
And I say: “Hey, hey, roll it, guy” (Guey)
We are billing 420 every day
The more we walk, the more we fill the bag
The women ‘acclaim us, we stay with the game’

[Pre-Chorus]
Oe-oe-oh
Because since I saw you I knew I wanted to have you
Perrearte, guayarte even for the—
SOG (Oe-oe-oh)

[Chorus]
Baby, you don’t know what you got yourself into (Tra, tra)
I’m hypnotizing you, come to me
The flowcito that I sing to you will make me undress you’ (Tra, tra)
And do a little thing for me
Baby, what are you playing at? What did you get me into? (Tra, tra)
You’re hypnotizing me, I’m coming to you
With those old angel eyes (Tra, tra)
I do something for you

[Outro]
Tell me, SOG
Yeah
The Ryan Castro, King Castro, yeah
It’s The Ghetto Singer
Yeah
Mamacita
Rrr, tell me, SOG
The Ryan Castro, King Castro
We got the sauce, baby, uh
Poo-poo-poo!

[Pre-Chorus]
The Pre-Chorus sets the stage for the intense attraction described in the song. The repeated “oe-oe-oh” creates a sense of urgency and excitement. Ryan Castro expresses his immediate desire upon seeing someone, indicating a strong physical and emotional pull towards them. The phrases “Perrearte, guayarte until the morning” suggest a desire for intimate connection and a willingness to indulge in passion until dawn.

[Chorus]
The Chorus captures the seductive essence of the song. Ryan Castro acknowledges the power of his allure over the listener, expressing confidence in his ability to captivate them. The repetition of “Tra, tra” adds to the hypnotic rhythm, emphasizing the irresistible nature of the attraction. Castro describes how his words and presence have a mesmerizing effect, leading to a mutual exchange of desire and intimacy.

[Verse 1]
In Verse 1, Ryan Castro paints a vivid picture of a vibrant nightlife scene. He describes arriving at a VIP venue with flair, surrounded by energy and excitement. The imagery of hiding behind sunglasses suggests a sense of mystery and intrigue. Castro is accompanied by a captivating woman, and together they command attention with their confidence and allure. References to pearls and gems symbolize their value and rarity in the crowd.

[Chorus]
The second occurrence of the Chorus reinforces the themes of seduction and desire. Ryan Castro continues to assert his power over the listener, suggesting a mutual attraction that intensifies with each interaction. The imagery of “old angel eyes” implies innocence mixed with temptation, further emphasizing the complexity of the relationship. Through his words and actions, Castro invites the listener to surrender to the passion between them.

[Verse 2]
Verse 2 delves into themes of indulgence and celebration. Ryan Castro describes a carefree lifestyle filled with excitement and excess. The repetition of “Hey, hey, roll it” adds to the party atmosphere, with references to “420” implying a hedonistic pursuit of pleasure. Castro revels in the attention and admiration of women, highlighting his charisma and influence in social settings.

[Pre-Chorus]
The final Pre-Chorus echoes the initial sentiments of immediate attraction and desire. Ryan Castro reaffirms his longing for the person he’s drawn to, emphasizing his determination to pursue them. The repetition of “oe-oe-oh” underscores the urgency and intensity of his feelings, suggesting that the connection he feels is undeniable and compelling.

[Chorus]
The closing Chorus encapsulates the overarching theme of the song. Ryan Castro reiterates the intoxicating effect he has on the listener, inviting them to succumb to their shared desire. The reference to “old angel eyes” suggests a timeless allure that transcends fleeting moments. Through his seductive words and confident demeanor, Castro leaves a lasting impression on the listener, promising an unforgettable experience.

[Outro]
The Outro serves as a final declaration of Ryan Castro’s identity and swagger. He reaffirms his presence as “The Ghetto Singer,” embracing his role as a charismatic and influential figure in the music scene. References to “Mamacita” and “sauce” add to the playful and confident tone, reinforcing Castro’s image as a suave and irresistible performer.