PUEBLO DE MEDALLO Lyrics (English Translation) – Ryan Castro

[Intro: Ryan Castro & Arcángel]
Awoo, awoo
Directly from Medellín, Colombia
From Envigado, Pablo’s town, ba*tard
Plo-plo-plo!
Ha ha ha
Zaga zaga zaga zau (Ou!)

[Pre-Chorus: Ryan Castro]
We arrived at the VIP with my La Fania combo
So many Mercedes’ that it seems like Germany
Got me turning, Tasmanian devil
We are vulgar and we are not from Bulgaria
[Chorus: Ryan Castro & Arcángel]
She wants a dirty, nasty, na
With the iron on top and she are two machines’
I put it in the disk or in the machine (Okay)
She tells me that she has a problem, well, it’s a shame (Aha)
She wants a dirty, nasty dog, na (Dirty)
With the iron on top and she is two machines’ (Paw, paw)
I put it in the disk or in the machine (Mmm)
She tells me that she has a boyfriend, well, too bad, yeah

[Verse 1: Archangel]
She wants to have fun and for the party to start (Ah)
We run all night until dawn (Yessir)
Don’t put your foot in so you don’t trip (No)
I don’t speak, I let the American express itself (Wuh!)
She goes crazy, she really sucks, yeah
She likes to fu*k and it doesn’t take long to come (Oops)
I like that picket that you carry’
She swallows the milk because it tastes sweet and not bitter (Au!)
And she knows that it always takes me a while when I ejaculate (Oh, yeah)
I lower my pants and the show begins
I have a proposal for you, how about I eat that ass?
To give it to you completely, let the balls not be an obstacle
Take care (Wuh!)
[Chorus: Ryan Castro & Arcángel]
She wants a dirty, nasty, na
With the iron on top and she are two machines’
I put it in the disk or in the machine (Okay)
She tells me that she has a problem, well, it’s a shame (Aha)
She wants a dirty, nasty dog, na (Dirty)
With the iron on top and she is two machines’ (Paw, paw)
I put it in the disk or in the machine (Mmm)
She tells me that she has a boyfriend, well, it’s a shame, yeah

[Verse 2: Ryan Castro]
At the Airbnb I broke his ass (Ome)
She ate quietly and I made her repeat
She has a supreme ass and I bought her Supreme
She is a strawberry and I am a salserín, ah (Plo!)
Tremendous note and eyes in Beijing (Aha)
Tell me what you want, whether Gucci or Louboutin, yeah
We fly privately, comfortably and without check-in
She’s got Bottega Verde, Periquito Pin Pin (Plo-plo-plo!)

[Bridge: Ryan Castro & Arcángel]
She asks for reggaeton, that they play Ryan’s
I say: “Where are the chimbas?” (Tra, tra)
This party doesn’t end even if the DJ leaves
And where are the lines? Blam-blam (Blam-blam)
She asks for reggaeton, to play Papi Arca
I say: “Where are the chimbas?”
This party doesn’t end even if the DJ leaves
My group says: “Blam-blam”

[Chorus: Ryan Castro & Arcángel]
She wants a dirty, nasty, na
With the iron on top and she are two machines’
I put it in the disk or in the machine (Okay)
She tells me that she has a problem, well, it’s a shame (Aha)
She wants a dirty, nasty dog, na (Dirty)
With the iron on top and she is two machines’ (Paw, paw)
I put it in the disk or in the machine (Mmm)
She tells me that she has a boyfriend, well, it’s a shame, yeah

[Outro: Ryan Castro & Arcángel]
Yeah-yeah, yeah-yeah, yeah-yeah, yeah-yeah (Po, po, po, po, po!)
Straight from the ghettos of Medellín
Daddy Arca, yeah
The Calm Suite
Ryan Castro, yeah
Tell me Flow, plo, plo, plo!
Au
Hey, we’re in Colombia, Medellín, with the brakes smoking rantan de quenque
What a joke, SOG
Straight from La Calma Suite, Puerto Rico, n!gga
Au
Hey Flow
Tell me Flow, listen to this flow
Yessir
Jhon El Diver, ba*tard

Certainly, let’s delve deeper into the meaning and interpretation of each section of the song “PUEBLO DE MEDALLO” by Ryan Castro and Arcángel.

[Intro]
The intro sets the tone and context for the song, with the artists proudly announcing their roots from Medellín, Colombia, specifically from Envigado, Pablo Escobar’s hometown. The inclusion of onomatopoeic sounds and laughter adds a playful element, inviting listeners into the energetic and lively atmosphere of the track. This introduction not only serves as a geographical marker but also establishes a sense of pride and authenticity in the artists’ origins.

[Pre-Chorus]
In the pre-chorus, the singers describe their grand entrance into a VIP setting, accompanied by their La Fania combo, which evokes imagery of opulence and prestige. The abundance of Mercedes cars further emphasizes the luxurious lifestyle they inhabit, drawing comparisons to Germany, known for its high-end automotive industry. This section also highlights the artists’ self-assuredness and boldness, asserting their presence with confidence and swagger.

[Chorus]
The chorus centers on the desires and preferences of a woman, who craves a passionate and intense relationship. The repetition of “dirty, nasty” underscores her inclination towards excitement and thrill, while the imagery of being “two machines” suggests a powerful and uninhibited connection. Despite acknowledging potential obstacles, such as her existing boyfriend, the woman’s desire for fulfillment and pleasure remains paramount, driving the narrative of the song.

[Verse 1]
Arcángel’s verse delves deeper into the hedonistic and indulgent nature of the party scene depicted in the song. The lyrics portray a s*xually charged encounter characterized by spontaneity and a disregard for societal norms. References to intense pleasure and instant gratification further emphasize the theme of unrestrained desire and the pursuit of pleasure without inhibition.

[Verse 2]
Ryan Castro’s verse continues the theme of indulgence and luxury, describing extravagant accommodations and expensive gifts. Brands like Supreme and Gucci are mentioned, further enhancing the image of opulence and excess portrayed in the song. This section reinforces the idea of living a lavish lifestyle without constraints, where desires are fulfilled without hesitation or reservation.

[Bridge]
The bridge captures the essence of the party atmosphere, with requests for specific reggaeton songs and a determination to keep the celebration going. The repeated references to “chimbas” and “blam-blam” add to the energetic and carefree vibe of the scene, reinforcing the sense of revelry and enjoyment permeating throughout the song.

[Outro]
The outro serves as a concluding note, reiterating the song’s origins in Medellín, Colombia, and Puerto Rico, while also giving shoutouts to the artists and their respective locales. The playful banter and rhythmic sounds contribute to the celebratory mood, leaving listeners immersed in the vibrant world of the song even as it comes to a close.

Overall, “PUEBLO DE MEDALLO” paints a vivid picture of a hedonistic and indulgent lifestyle, where desires are pursued without reservation and pleasure takes precedence above all else. The song’s energetic beats and lively lyrics invite listeners into a world of excitement and thrill, capturing the essence of urban nightlife and celebration.