RIGHT THERE Lyrics – Lil Nas X

[Intro]
Late to the party come on
In the club get ghetto (B!tch get ghetto)
Three b!tches on me man the night can’t get no better (Can’t get no better)
That’s it right there, yeah that’s it right there, yeah
That’s it right there that’s it right there

[Verse 1]
Hol’ up lil’ b!tch what you need? What you need?
I need a n!gga with loose-lick hips
I need a model with some big fake lips
I just did X in the bathroom stall
On a B-list star getting my A-list round
I’m JK like I’m next to LM
I’m so drunk that my s*it went limp ayy ayy uh
Pour me some Henny’
To tell you the truth n!gga I’m Papoose I’ma need my Remy
In that brand new Tron like Jimmy
Uh a n!gga finna Turner like Timmy
Then hit my ex like “Baby did you miss me?”
I’m tryna fu*k you and fu*k up my kidneys
Fu*k up this drank yeah babe that’s polygamy
Late to the party come on
Late to the party come on
My AP bust like the cops when the camera ain’t on
Last year a n!gga went missing
This year I’m washing these n!ggas like I was just doing the dishes
My b!tches is n!ggas these n!ggas is b!tches
I’m drunk as fu*k what is the difference? Look

[Chorus]
Late to the party come on
In the club get ghetto (B!tch get ghetto)
Three b!tches on me man the night can’t get no better (Can’t get no better)
That’s it right there (Right there) that’s it right there
That’s it right there that’s it right there
Heavyweight champ when it come to the drink I’m winning (Lil’ b!tch I’m)
Casamigos up in it, yeah
Hennessy drink I’m spinning ooh
That’s it right there (Right there) that’s it right there (Right there)
That’s it right there that’s it right there

[Verse 2]
B!tch tie my shoelace off that Hen’ and that D’USSÉ
I need my hoes by the douse
Let’s make a movie you and your roommate
I get it and get it
Came in they thought I was skemished
Everyone thought I’d be finished
How could he get any bigger than the biggest record ever ho?
I did it and did it and did it again
Look at the charts who bigger than him?
I take the juice and I mix it with gin
I take your b!tch and I mix it with him damn yeah
Top of the morning top of the charts
Getting top on the top of the car
I’ve been on top they all said I wouldn’t pop
I can still write ’cause I pop I used to sleep on the couch
Now I’m on the beach and the leaves got the hoes doing X on the yacht

[Bridge]
Look what God did
N!ggas better recognize who I is
Whole world on my pee pee yep yep
Like cam make ’em skeet-skeet
Wet wet Maybach go “Beep-beep” (Skrrt)

[Verse 3]
Big Nas come get that work
Montero these hoes gon’ flirt
Lost and found I can’t find my shirt
Montero just popped that Perc
This feel like God is first
This scripture a Bible verse
Buss it open and make it uh
Buss it open and make it twerk

[Chorus]
Late to the party come on
In the club get ghetto (B!tch get ghetto)
Three b!tches on me man the night can’t get no better (Can’t get no better)
That’s it right there (Right there) that’s it right there
Yeah that’s it right there that’s it right there
Heavyweight champ when it come to the drink I’m winning (Lil’ b!tch I’m)
Casamigos up in it, yeah
Hennessy drink I’m spinning ooh
That’s it right there (Right there) that’s it right there (Right there)
That’s it right there that’s it right there

[Intro]
The intro lyrics depict a scene of arriving late to a vibrant party, immersing oneself in the club atmosphere with confidence and exuberance. The presence of companions adds to the excitement, affirming that the moment is perfect and unforgettable.

[Verse 1]
The verse 1 conveys a hedonistic lifestyle, characterized by excess and recklessness. The speaker seeks instant gratification, using drügs and alcohol to escape reality and indulge in promiscuity. They boast about their social status and s*xual conquests, demonstrating a lack of regard for consequences or personal well-being. The references to “late to the party” suggest a constant pursuit of pleasure, regardless of timing or consequences. Despite the superficial enjoyment, there’s an underlying sense of emptiness and self-destructiveness, evident in the disregard for personal health (“fu*k up my kidneys”). The use of vulgar language and casual references to substance abuse underscore the nihilistic outlook of the speaker. The repetition of “Late to the party come on” reinforces the theme of chasing after fleeting pleasures without considering the long-term implications. Overall, the lyrics paint a portrait of a person caught up in a cycle of indulgence and self-destruction, seeking validation and distraction in a hedonistic lifestyle.

[Chorus]
The chorus depict a scene of revelry in a club, with the speaker enjoying the night to the fullest. They exude confidence and satisfaction, proclaiming themselves as the champion of drinking. The presence of companions adds to the enjoyment, emphasizing that the moment is perfect and unbeatable. The repetition of “that’s it right there” reinforces the sentiment of contentment and fulfillment in the present moment. Overall, the lyrics capture the essence of carefree indulgence and celebration in the club atmosphere.

[Verse 2]
The verse 2 illustrates a brash and boastful attitude, with the speaker flaunting their success and dominance. They demand service from others (“B!tch tie my shoelace”), express a desire for companionship (“I need my hoes by the douse”), and suggest a hedonistic lifestyle (“Let’s make a movie”). The repetition of “I did it and did it again” underscores their perseverance and ability to overcome doubters. They compare their achievements to others in the music industry, asserting their superiority. The imagery of going from humble beginnings (“sleep on the couch”) to lavish luxury (“on the beach… X on the yacht”) highlights their journey to the top. Overall, the lyrics convey a sense of braggadocio and triumph, celebrating personal achievements and a lavish lifestyle.

[Bridge]
The lyrics express a sense of triumph and boastfulness, attributing success to divine intervention. The speaker demands recognition for their achievements and revels in their newfound status, likening their influence to making others ejaculate.

[Verse 3]
The verse 3 lyrics reference encounters with Big Nas and Montero, suggesting collaboration and flirtation. The speaker is carefree, losing their shirt and indulging in substances like Percocet. They attribute the experience to a divine presence, equating it to a sacred scripture. The lines culminate in a call for s*xual expression and dancing.

[Chorus]
Final chorus describes the excitement of being at a lively party, embracing the club atmosphere with enthusiasm. The speaker revels in their prowess as a drinker, declaring themselves the champion. The presence of companions adds to the enjoyment, emphasizing that the moment is perfect and unbeatable. Overall, the lyrics capture the essence of carefree indulgence and celebration in the club scene.