BAD BOY (Remix) Lyrics (English Translation) – Gino Mella

[Intro: Sayian Jimmy & Juhn]
This is the remix
They say this singer loves your ass like a thug like his baby Glock, woh-oh
You look prettier than in the photos
Crash and shake my toto on the Glock and the Jericho, woh-oh
And get wet and crazy
I’m going to kiss your mouth
And after the Phillie turns on, let’s fu*k it up

[Chorus: LIT killah, Sayian Jimmy & Juhn]
Because she fell in love with this bad boy
Tell me where it is, doll, I’m coming for you
But yes or yes I’m going to do it to you today
Listening to the bad boy remix in your bed
Because that girl fell in love with this bad boy
Tell me where you are, doll, I’m coming for you
But yes or yes I’m going to fu*k you today
Listening to “Pase Lo Que Pasa” by Marvel Boy (Ay), woh-oh-oh (They call me Juhn “The Allstar”, hey)

[Verse 1: Juhn]
The shorty likes bullying
And you can see the comb outside my shirt
You don’t miss a Sunday teasing (Oh-oh)
With all the bandits he likes to go for a walk
I’ll give you a couple of tickets quickly and I’ll fix them
So that I can model European designer clothes
That devil has a clue, she is waiting to see if any ghosting happens
And she and ‘just like she fu*ks me, she loves that I give her de’o
Hey, shorty, tell me what she’s going to do today (Wuh!)
I want to fu*k you inside the Rolls-Royce (Yah!)
So that I can see the stars while I give you
Your bad boy is me

[Verse 2: LIT killah]
M*mmy, I’m your bad boy
Tonight I’m going to rob you like a bank
If one day they lock me up, baby, let it be in your room (Yup)
Always in silence to maintain the pact, I kill, I kill
In my dust I bring out the illicit, she asked me
Qui-Qui-She wants me to get explicit in her bed
Let’s make our neighbors find out
That I made you mine between those four walls’
And, baby, don’t think you have it’ with me it’s over
They talk bad about me, but you don’t talk about me
You are in my future, that’s what the tarot told me
But that’s not over, oh-oh-oh

[Chorus: LIT killah & Gino Mella]
Because she fell in love with this bad boy
Tell me where it is, doll, I’m coming for you
But yes or yes I’m going to do it to you today
Listening to the bad boy remix in your bed
Because that girl fell in love with this bad boy
Tell me where you are, baby, I’m coming for you
But yes or yes I’m going to fu*k you today
They call me “rabbit” because I look like a Playboy (707)

[Verse 3: Gino Mella]
She is cuiquita, but she likes flaite’
Blonde hair, she looks like she’s from Buenos Aires
A TikToker, she knows all the dances
I wanna fu*k you, shorty, you have me excited
I will arrive at your house at whatever time it is
Your totito smells like new bus plastic
I’m active with the forty in case someone notices you
Here we give you color with whatever
If you feel bad
Indoor flower suit for smoking
You don’t have to be jealous of me
I’m not into anything other than making music and generating, 707

[Bridge: Sayian Jimmy & Jairo Vera]
If it doesn’t prevent it’ and you ask (Prr)
In bed I punish you (M*mmy)
After I eat you we’ll see what’s next
Eating you all makes me motivated
But continue (No, yah, ha)
(This is Jairo Vera)

[Verse 4: Jairo Vera]
Moving fast like Glock with runi (Brr; ha)
Love me in bed after one of Honey (More na’)
I want to give you candle without stopping up the money
Your body is perfection, m*mmy, like my forty
I don’t want anyone else
Only the two of us are going to do it
Like Héctor, tonight we are going to do evil (Oh-oh-oh)
I don’t want it to ever end
Because you’re mine’ nothing more’
Only the two of us are going to do it
Like Héctor, tonight we are going to do evil (M*mmy)
I don’t want it to ever end

[Chorus: Sayian Jimmy]
Because that girl fell in love with this bad boy
Tell me where you are, doll, I’m coming for you
But yes or yes I’m going to fu*k you today
Listening to “Pase Lo Que Pasa” by Marvel Boy, woh-oh-oh

[Verse 5: Sayian Jimmy & Dani Flow]
Take off your jeans, before I rip them off
That tonight whatever happens has to happen
I know that you fell in love with the singer
Because of you I get bad with anyone
In the BMW or the red Ford Mustang
Which one do you want, baby? And we give him a dangerous cut
Pelinegra, the gangsters melt
But it’s for me because I have a wonderful ki
To keep your ass I have
Fu*k on top of ‘the Arturos’ I want
I like so much, mom (Prr-prr)
If you see someone knocking on your window, it’s me, the one in the mask, trr! (Dani Flow)

[Verse 6: Dani Flow]
My bandit, we met at an event (Prr)
I don’t take you out of my thoughts (No, no, no)
I think about how I can see you and give it to you slow
Violent s*x without regret (Rrr-rrr)
It’s Dani Flow, the tough one, the one who breaks with Lacoste
He who has two on the road (he has two)
Nobody is going to cheat you like I cheated you (Amen)
You get on the Glock in the Porsche (Prr-prr-prr)
Hey, I’ll look for you in the Camaro (Brr)
But you know it’s the doll, not the car (Ta-ta-ta!)
You already know that I like expensive things
And if you like expensive things, I’ll take care of everything (Chin-chin-chin-chin-chin-chin-chin)

[Chorus: Dani Flow]
Because that girl fell in love with the bad boy
Tell me where you are, doll, I’m coming for you
But yes or yes I’m going to fu*k you today
Listening to all Dani Flow’s hits

[Outro: Gino Mella, Juhn, Dani Flow, LIT killah, Sayian Jimmy & Jairo Vera]
707
Ha ha ha
The Allstar, baby
Dani Flow
This is the remix
L-I-T
The stars always walk together, baby
Cami Music
That’s global
This is Jairo Vera
Montana The Producer
Tell me, Tachu
Sayian, controlling ki
Consistency and discipline
The real talent in Chile
Tell me, Kylian
Tell me, Mati, for two hundred’ in a Bugatti

[Intro: Sayian Jimmy & Juhn]

In the intro, there’s a sense of bravado and seduction. The speaker presents himself as a figure of desire, comparing himself to a “bad boy” who is irresistible. There’s a mix of confidence and urgency, as the speaker expresses a desire to engage in intimate activities with the listener. The imagery of crashing and shaking suggests a reckless abandon, adding to the rebellious and enticing tone of the intro.

[Chorus: LIT killah, Sayian Jimmy & Juhn]

The chorus reflects the central theme of the song: the allure of the “bad boy” persona. It portrays a narrative where the listener has fallen for this irresistible figure, and there’s a sense of inevitability in their encounter. The repetition of “Tell me where you are” highlights the determination of the speaker to connect with their object of desire, while the reference to listening to music in bed adds an intimate and sensual layer to the scene.

[Verse 1: Juhn]

Juhn’s verse delves into the persona of the “bad boy,” emphasizing traits like confidence and style. He describes himself as someone who is unapologetically bold and enjoys the thrill of the chase. The references to designer clothes and luxury cars paint a picture of opulence and extravagance, reinforcing the image of the speaker as someone who is both desirable and untouchable.

[Verse 2: LIT killah]

LIT killah’s verse explores themes of possessiveness and devotion within a relationship. He presents himself as a “bad boy” who is fiercely protective of his partner, willing to go to great lengths to ensure their happiness and safety. Despite external criticism, the speaker remains steadfast in their commitment, viewing their partner as an integral part of their future.

[Chorus: LIT killah & Gino Mella]

Similar to the previous chorus, this section reinforces the central narrative of the song: the irresistible attraction between the “bad boy” and the listener. The repetition of phrases like “fell in love” and “going to fu*k you today” emphasizes the immediacy and intensity of their connection, while the inclusion of a specific song adds a sense of ambiance to the scene.

[Verse 3: Gino Mella]

Gino Mella’s verse provides further characterization of the listener, describing them as someone who is both enigmatic and alluring. The speaker expresses excitement and anticipation at the prospect of being with this individual, highlighting their physical attributes and unique qualities. The references to smoking and jealousy add depth to the portrayal of the listener, showcasing their complexity and allure.

[Bridge: Sayian Jimmy & Jairo Vera]

The bridge introduces a moment of reflection and anticipation. The speaker acknowledges the consequences of their actions but remains undeterred in their pursuit of pleasure. The mention of punishment and motivation adds a hint of tension and excitement, setting the stage for the climax of the song.

[Verse 4: Jairo Vera]

Jairo Vera’s verse continues the theme of passion and intensity, portraying a relationship characterized by desire and possessiveness. The speaker expresses a desire for exclusivity and permanence, viewing their partner as a source of fulfillment and satisfaction. The references to luxury cars and nighttime activities add a sense of excitement and danger to the scene.

[Chorus: Sayian Jimmy]

This chorus mirrors previous iterations, reaffirming the central narrative of the song: the irresistible attraction between the “bad boy” and the listener. The repetition of phrases like “fell in love” and “going to fu*k you today” emphasizes the immediacy and intensity of their connection, while the inclusion of a specific song adds a sense of ambiance to the scene.

[Verse 5: Sayian Jimmy & Dani Flow]

Sayian Jimmy and Dani Flow’s verse continues the theme of desire and passion, presenting a narrative of seduction and indulgence. The speaker expresses a willingness to fulfill their partner’s desires, offering them pleasure and excitement. The references to luxury cars and dangerous encounters add a sense of excitement and adventure to the scene.

[Verse 6: Dani Flow]

Dani Flow’s verse explores themes of desire and intensity within a relationship, portraying a narrative of passion and obsession. The speaker expresses a desire for connection and intimacy, viewing their partner as a source of fulfillment and excitement. The references to luxury cars and expensive tastes add a sense of opulence and extravagance to the scene.

[Chorus: Dani Flow]

Similar to previous iterations, this chorus reaffirms the central narrative of the song: the irresistible attraction between the “bad boy” and the listener. The repetition of phrases like “fell in love” and “going to fu*k you today” emphasizes the immediacy and intensity of their connection, while the inclusion of a specific song adds a sense of ambiance to the scene.

[Outro: Gino Mella, Juhn, Dani Flow, LIT killah, Sayian Jimmy & Jairo Vera]

The outro serves as a conclusion to the song, featuring various voices and references to the artists involved. It adds a sense of closure to the narrative, while also highlighting the collaborative nature of the project. The inclusion of specific names and references adds a personal touch, reinforcing the authenticity and sincerity of the song.