HeliMAn Lyrics – Yeat

[Chorus]
(Yeah)
(Woo) Huh, you outside, don’t get rolled up
Yeah, we on the side (Side)
Yeah, you was outside, yeah, you was outside all again (Phew)
I got the front door locked, (Woo) uh, you ain’t coming in, hey
Bag after bag, on the week, yeah
Bag after bag, I can’t sleep (Bag after bag)
Yeah, real geek man, I’m a geek, yeah, huh-uh (Eh)
Yeah, huh, stop saying all that you live, huh, stop saying you so real, uh
Stop saying you get money, yeah, woah, you ain’t never see no deal, uh
You say you kill everybody (Shh), you ain’t never see no kill, huh
I like being on private jets, ’cause I don’t even like feeling real
And we send ’em sideways, and we send ’em sideways
And we send ’em going out the front door on holidays
Yeah, we get you fu*ked up, on curbs on the line way
Yeah, we get you fu*ked up, get bent like an archway (Hey)
B!tch, I’m on the beach again, got two M’s I’m like eats again (Hey)
I been on these flights again, they might as well call me “Heliman” (Woo, woo)
They say how I do that? I told that b!tch, “I say ain’t elegant”
They say I do it different? Yeah, I got too rich, I’m like, “Yeah, man”

[Verse]
They ain’t never see my side, huh, you ain’t never see my side (What?)
You ain’t never see my shooter (Hold up), huh, you ain’t never see my view, huh
I pull up two by two (Eh), I pull up two by two (Eh)
I ain’t even need no reason, I’m gon’ pull out lil’ dude (Eh)
They say they wanna chop it like us, yeah, they not no head, man (Chop)
You’re gonna get X’d out on the cross, yeah, not no red (Cross)
Side by side, side, we got big trucks and big g*ns (Err)
They ask where I came from, I’m the holy one
Put it on the sun, put it on the moon, yeah
Tell me what the fu*k you do before you gonna do it
Tell me how the fu*k I look before you ever suit it
I forgot this money on me, I don’t ever pursue it

[Chorus]
(Yeah)
(Woo) Huh, you outside, don’t get rolled up
Yeah, we on the side (Side)
Yeah, you was outside, yeah, you was outside all again (Phew)
I got the front door locked, (Woo) uh, you ain’t coming in, hey
Bag after bag, on the week, yeah
Bag after bag, I can’t sleep (Bag after bag)
Yeah, real geek man, I’m a geek, yeah, huh (Eh)
Yeah, huh, stop saying all that you live, huh, stop saying you so real, uh
Stop saying you get money, yeah, woah, you ain’t never see no deal, uh
You say you kill everybody (Shh), you ain’t never see no kill, huh
I like being on private jets, ’cause I don’t even like feeling real
And we send ’em sideways, and we send ’em sideways
And we send ’em going out the front door on holidays
Yeah, we get you fu*ked up on curbs on the line way
Yeah, we get you fu*ked up, get bent like an archway (Hey)
B!tch, I’m on the beach again, got two M’s I’m like eats again (Hey)
I been on these flights again, they might as well call me “Heliman” (Woo, woo)
They say how I do that? I told that b!tch, “I say ain’t elegant”
They say I do it different? Yeah, I got too rich, I’m like, “Yeah, man”

[Outro]
They ain’t never see my side, huh, you ain’t never see my side (What?)
You ain’t never see my shooter (Hold up), huh, you ain’t never see my view, huh
I pull up two by two (Eh), I pull up two by two (Eh)
I ain’t even need no reason, I’m gon’ pull out lil’ dude (Eh)
(Chop)
(Cross)
(Err)

The chorus of “HeliMan” sets the tone for the song, emphasizing the narrator’s exclusivity and separation from others. The lines “you outside, don’t get rolled up” suggest a warning to those who are not part of their circle to stay away. They assert their position with confidence, locking the front door to keep out unwanted guests. The repetition of “bag after bag” reflects their continuous accumulation of wealth, while “real geek man” implies a proud identification with their lifestyle. They challenge others’ authenticity regarding money and violence, claiming superiority in both. The reference to private jets highlights their detachment from reality, preferring a life of luxury and privilege. Ultimately, they boast about their ability to control situations, sending people “sideways” or causing chaos at will.

In the verse, the narrator asserts their uniqueness and superiority. They claim that others have never seen their perspective, their associates, or their environment. Pulling up “two by two” suggests a display of power or dominance, perhaps arriving with a partner or in pairs. The references to chopping and getting “X’d out on the cross” imply violent consequences for those who challenge them. They further emphasize their authority and divinity, suggesting they are above reproach and possess a godlike status.

The outro reinforces the themes of exclusivity and power. The repetition of “they ain’t never see my side” and similar lines reiterates the narrator’s assertion of their uniqueness and separation from others. Pulling up “two by two” again suggests a display of dominance. The interjections of “chop,” “cross,” and “err” serve as punctuations, possibly indicating violent actions or the narrator’s attitude of dismissiveness towards challengers.