Jesus Lyrics – Chief Keef

[Intro: Chief Keef]
Foenem Radio, b!tch (Bang)

[Verse 1: Chief Keef]
I done seen the same s*it that I already seen
I done got my hands dirty tryna keep ’em clean
I seen money from rap and a triple beam
New s*it, got Glocks with triple beams
I done seen more ass than a damn surgeon
Put me in a time machine, let me reverse it
Where I’m from, it get live, but we don’t rehearse it
Young n!gga chasing dreams, the streets not working
Baby, leave that ass alone, everything not perfect
You should never give up if everything’s not working
If you ever see me in Malibu, I’m not surfing
I just had to switch locations, resurface
Baby, leave that ass alone, everything’s meant to be
I got bags under my eyes, it don’t mean I need sleep
Yeah, I know I ain’t slept, but it was just a POV
Don’t look up to me, go look up to G-O-D

[Interlude: Michael Blackson & Chief Keef]
Dark night, little Zamunda
Fade to black
B!tch n!gga
Black n!gga
Twenty-one darkness
Twenty-one shadows
In the oven
Zyliss skillet
Skillet lit
Uzi burnt (Bang)
Young limo tint (Bang)
Foenem Radio, b!tch (Bang)

[Verse 2: Chief Keef]
Don’t look up to Chief Sosa, look up to Jesus Christ
All these two-liters, I need an endorsement with Sprite
B!tch say she believe me, but she don’t believe the hype
Ex asked me, “How’s life?” Told that b!tch, “Nice”
Grab the AK and show y’all I know my ABC
N!gga said he did what? Man, that’s make-believe
Sipping sizzurp like it grow on maple trees
Turn your head into a baseball, major league
Rolling all this weed ’cause this s*it grow on trees
Spending all this cash like the money grow on trees
Yeah, that b!tch’ll leave you, but your problems won’t leave
All this ice on, I’ma need a long-sleeve
Letting off the hammer, damn near pulled a hamstring
We pour pints to celebrate, not no damn champagne
I’m a king, not a prince, I’m still sipping purple rain
We ain’t mad ’bout a b!tch, EA, it’s in the game
Chief So the first man, b!tch, I’m still in the gang
We’ll color your ass red, don’t be standing in the paint
N!gga talking ’bout he a P, n!gga, you put the P in prank
Riding with the AR, we put the A and R in rank
Say you signed for a Hank, n!gga, I spend that s*it on drank
Pull up and make it crank with the ratchet and the clank
I got money in the bank, I like Grant, Jackson, Frank
Bill got a n!gga served, they say this s*it for Lil Saint

[Bridge: Lil Gnar]
I’ll still get him cut, try messing with the flame
Fu*k it, life not perfect, dump an eight out for the pain
I was walking through the rain, blood diamonds in the face
Like a slavemaster, all my n!ggas having whips and chains
Car way faster, Hellcat, widebody frame
Optimus Prime, blick transform a n!gga brain
I don’t got no feelings when I’m fried off the drank
Know I really love shorty, but I’m dealing with some things

[Verse 3: Lil Gnar]
I’ll still get him cut, try messing with the flame
Fu*k it, life not perfect, dump an eight out for the pain
I was walking through the rain, blood diamonds in the face
Like a slavemaster, all my n!ggas having whips and chains
Car way faster, Hellcat, widebody frame
Optimus Prime, blick transform a n!gga brain
I don’t got no feelings when I’m fried off the drank
Know I really love shorty, but I’m dealing with some things
Young n!gga burnt out, he’ll crash for some fame
Leave a b!tch body orange like a fu*king spray tan
I don’t know Miley Cyrus, I move molly sand tan
Big Glock, Flintstone, motherfu*ker, bam, bam
We don’t got the same vision, I can’t rock no Ray-Ban
Silver crosses on the Rollie, this a Chrome Heart band
Turbo Porsche 911 like the fu*king fireman
Yellow-red Trackhawk, I feel like I’m Iron Man

[Outro: Michael Blackson]
Right now, it’s all about the windy city
Chicago’s hardest n!gga in town
My n!gga Sosa
We back reunited
‘Bout to s*it on the whole world right now (Foenem Radio, b!tch)
He’s ’bout to s*it on all his haters with this new s*it
This new Almighty So 2 is gonna s*it on everybody
Shoot that motherfu*ker
Hey, fu*k you
Go to the medics, go to the medics
I got one down

[Intro: Chief Keef]
The introductory line “Foenem Radio, b!tch (Bang)” resonates with a sense of authority and assertion, symbolizing Chief Keef’s affiliation with a collective or his own platform where his voice reverberates with commanding vigor. It embodies a declaration of presence, asserting dominance and signaling the commencement of an intense lyrical journey.

[Verse 1: Chief Keef]
Chief Keef’s verse delves into a profound reflection on his life experiences, encapsulating the cyclical nature of his environment and the inevitable entanglement in the gritty realities of street life, despite his aspirations for cleanliness. References to “triple beams” and “Glocks” allude to his involvement in the realms of crime and pursuit of monetary gain. Keef’s yearning for liberation from this repetitive cycle hints at a deeper longing for redemption and guidance from a higher power, reflecting themes of introspection and spiritual contemplation amidst the chaos of his surroundings.

[Interlude: Michael Blackson & Chief Keef]
The interlude serves as a theatrical interjection, painting a vivid tableau of tumult and peril. It employs imagery of darkness, shadows, and sudden transitions to encapsulate the volatile ambiance of Chief Keef’s environment. The exclamatory nature of the utterances and the specific references to objects heighten the tension, ultimately culminating in a defiant proclamation of presence amidst the tumultuous backdrop.

[Verse 2: Chief Keef]
Keef’s second verse juxtaposes his street persona with religious symbolism, urging listeners to shift their focus from idolizing him to seeking guidance from Jesus Christ. Amidst references to material excess and hedonism, there’s an underlying critique of superficial beliefs and the hollow allure of fame. The verse showcases Keef’s lyrical prowess through intricate wordplay and cultural references, offering a layered portrayal of the dichotomies inherent in street life.

[Bridge: Lil Gnar]
Lil Gnar’s bridge introduces a poignant interlude, delving into themes of pain, resilience, and emotional detachment amidst the trials of street life. References to “blood diamonds” and “whips and chains” evoke visceral imagery of suffering and oppression, highlighting the harsh realities faced by those entrenched in Keef’s world. The bridge adds a layer of emotional depth, providing a moment of introspection amidst the relentless chaos.

[Verse 3: Lil Gnar]
In this verse, Lil Gnar continues to explore themes of resilience and self-preservation amidst danger and societal pressures. He navigates the intricacies of fame and indulgence while grappling with personal demons, offering insights into the complexities of identity and power dynamics within street culture. The imagery of transformation and material excess underscores the themes of escapism and self-definition amidst the tumult of urban life.

[Outro: Michael Blackson]
The outro serves as a triumphant declaration of Chief Keef’s resurgence and dominance in the rap scene, particularly within his native Chicago. Michael Blackson’s exuberant commentary reinforces Keef’s confidence and resilience, promising to surpass detractors with the vigor of his new musical offerings. The aggressive language and defiant assertions underscore Keef’s determination to carve out his place in the industry, symbolizing a bold assertion of identity and purpose amidst the chaos.