JUDY Lyrics – DaBaby

[Chorus: DaBaby]
It done been a while since lit
She ain’t tryna do the talking, baby tryna get hit
B!tch
Yeah, scary-ass n!gga
Yeah, don’t be scared now, n!gga
Turnt, in a good mood, she feeling right
Play it cool, she gon’ fu*k around and do you there tonight

[Refrain: DaBaby]
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big
[Verse 1: DaBaby]
It’s Baby, fu*k with me and get killed
If that ass soft, it ain’t gotta be big
Uh, baby mama doing her thang
She wanna get out the house, she like, “I’m tired of these kids”
If you got a minute, let me get in that (Uh)
I ain’t gon’ rush, but I’ma try to be quick
I can’t even imagine a n!gga running down on me
I get to opening up fire, n!gga better not get hit, b!tch

[Chorus: DaBaby]
It done been a while since lit
She ain’t tryna do the talking, baby tryna get hit
B!tch
Yeah, scary-ass n!gga
Yeah, don’t be scared now, n!gga
Turnt, in a good mood, she feeling right
Play it cool, she gon’ fu*k around and do you there tonight

[Refrain: DaBaby]
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big

[Verse 2: Skilla Baby]
I like a lil’ b!tch, with some good ‘oochie
I’m a rich n!gga, she a rich hoochie
She getting loud, like I’m with Boosi
Got a small friend with a big booty
And some soft ass and some good coochie
If that head good, she might get Pucci
When I get behind it, leave a b!tch woozy
Back that ass up ‘fore I get juvie
I got b!tches, baby, tryna get me, baby?
I was just a baby, now I’m with DaBaby
Ha

[Chorus: DaBaby]
It done been a while since lit
She ain’t tryna do the talking, baby tryna get hit
B!tch
Yeah, scary-ass n!gga
Yeah, don’t be scared now, n!gga
Turnt, in a good mood, she feeling right
Play it cool, she gon’ fu*k around and do you there tonight

[Refrain: DaBaby]
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big

[Bridge: DaBaby]
Yeah, it don’t gotta be big at all, baby
I could fu*k with that

[Verse 3: DaBaby]
Ooh, ooh, she got that ass sound, booty cheeks
Let me see that booty meat
Got a new album out, girl, what you gon’ do to me?
I came in with a mask on, rocking all my jewelry
She looked up at her homegirl, talking bout, “Who is he?”
“Girl, that’s that n!gga Baby, any pressure
You better go home with him today, the n!gga let you”
A n!gga came in and seen his bae, and then he pressed him
See, that’s why I don’t like them different ladies in my section
Hol’ on, bruh
It ain’t that deep, bruh
Oh, s*it, get out, get out
Ahh

[Chorus: DaBaby]
It done been a while since lit
She ain’t tryna do the talking, baby tryna get hit
B!tch
Yeah, scary-ass n!gga
Yeah, don’t be scared now, n!gga
Turnt, in a good mood, she feeling right
Play it cool, she gon’ fu*k around and do you there tonight

[Refrain: DaBaby]
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big
If that ass soft, it ain’t gotta be big

In the chorus, DaBaby reflects on a lively atmosphere, suggesting it’s been a while since things were so vibrant. He describes a woman who isn’t interested in conversation but rather in physical intimacy. He addresses someone as a “scary-ass” individual, encouraging them not to be fearful, implying they should seize the moment with confidence. The tone is playful yet assertive, reflecting a casual attitude towards pursuing pleasure.

The refrain underscores a preference for the softness of a woman’s posterior over its size. By repeating this sentiment, DaBaby emphasizes his personal preference and perhaps challenges societal norms that prioritize size over other qualities. It’s a simple yet bold statement that reinforces the theme of prioritizing enjoyment and connection over superficial standards.

In the first verse, DaBaby presents a scenario where he warns against crossing him, juxtaposed with a desire for intimacy with a woman who wants a break from her responsibilities. He communicates a sense of urgency tempered with a desire for efficiency in his approach to intimacy. The verse conveys a mix of bravado and vulnerability, reflecting the complexities of relationships and personal boundaries.

In the second verse, guest artist Skilla Baby contributes to the narrative by expressing his preferences for women and detailing his encounters. His lyrics echo DaBaby’s themes of desire and pleasure, emphasizing physical attributes and s*xual prowess. The verse adds layers to the song’s exploration of intimacy and attraction, showcasing different perspectives within the narrative.

DaBaby repeats the chorus, reinforcing the song’s central themes of pursuing pleasure and living in the moment. The repetition serves to solidify the song’s structure and emphasize its key messages, ensuring they resonate with the listener.

The bridge offers a brief interlude where DaBaby expresses openness to various body types, suggesting that size isn’t a primary concern for him. This moment of reflection adds nuance to the song’s exploration of physical attraction and suggests a more inclusive attitude towards beauty standards.

In the third verse, DaBaby continues to narrate his experiences, describing a woman’s physical attributes and reactions to his presence. He portrays himself as confident and desirable, commanding attention and respect from those around him. The verse delves into themes of power dynamics and social perception, highlighting the complexities of navigating relationships and personal interactions.

DaBaby concludes with another repetition of the chorus, reiterating the song’s central themes and leaving a lasting impression on the listener.

Throughout “JUDY,” DaBaby explores themes of desire, pleasure, and confidence, offering a mix of playful bravado and introspective reflection. The song’s catchy beats and repetitive hooks complement its lyrical content, creating an infectious track that invites listeners to embrace spontaneity and enjoyment.