MODELITO Lyrics (English Translation) – Ryan Castro, Onyl

[Refrain: Onyl & Ryan Castro]
Devil eyes, black hair
A booty that kills and I want to break it (Ragamuffin)
What’s it called? I want to know (Bad gyal, la bad gyal)
If it’s good or bad, I’ll still put it in (Rrr-rrr, rrr)

[Chorus: Ryan Castro]
She is a mo-mo-mo-modelito (she She, she)
That I-I-, I-I love it
And I’m crazy, crazy, that (Pu-pu!)
Po-For raising her skirt
Mo-Mo-Mo-Modelito
That I-I-, I-I love it
And I’m crazy, crazy, that (Heh, haha, heh)
Po-For raising her skirt (Pu-pu-pu!)

[Bridge: Onyl & Ryan Castro]
Uh-uh, I’ll steal it (Shu)
I will steal it
Uh-uh, it drives me crazy (Ha)
How it moves (Tell him, Onyl)

[Verse 1: Ryan Castro]
Fine, fine, fine, webcam model
But I’d hate to hear if they put dancehall on it
When I blow fire at him with the microphone
She gets naked and makes it sensual for me
You are my size (Yeah, yeah)
With a n!gga flow, but I’m white (Alright)
Vitamin for everything bad bwoi (Chu-chu, chu)
Caribbean party like Hawaii flow (Hey, rrr)

[Chorus: Onyl & Ryan Castro]
She is a mo-mo-mo-modelito (she She, she)
That I-I-, I-I love it (Yeah, yeah, she, she)
And I’m crazy, crazy, that (Pu-pu!)
Po-For raising her skirt
Mo-Mo-Mo-Modelito
That I-I-, I-I love it (Pu! Oh, ma)
And I’m crazy, crazy, that (Pu-pu-pu!)
Po-For raising her skirt

[Verse 2: Onyl]
Reggaeton warms you up, ma, I know it, yeah
You’re looking at me, I know
With your flirtatious face, I know
You want me to— (Wuh), you want me to—, yeah
Reggaeton warms you up, ma, I know it
You’re looking at me, I know, yeah
With your flirtatious face, I know (Aha)
You want me to give it to you, mmm, you want me to give it to you, mmm

[Refrain: Ryan Castro]
Oh-oh, devil eyes, black hair
A booty that kills and I want to break it (Pu-pu-pu!)
What’s her name? I want to know (Move, mommy)
If it’s good or bad, I’ll still put it in (Bad gyal, bad gyal, bad gyal)

[Outro: Ryan Castro & Onyl]
Onyl, yeah
Ryan Castro (Arr)
Tell me, SOG (Tell me, SOG), yeah
The singer
Haha, Ovy On The Drums
Bad gyal
Haha, yeah
We got the sauce, baby, brr (La salsa de Medallo)
The disco is ours, the street too, brr
The Ghetto Singer
The real combination
Chu chu chu!
Poo-poo-poo!
Ha ha
There is no break, there is no break
Yeah

[Refrain: Onyl & Ryan Castro]
The refrain highlights the physical attributes of a woman, referring to her captivating qualities such as “devil eyes,” “black hair,” and a “booty that kills.” The repetition of questioning her name and expressing the singer’s willingness to pursue her regardless of judgment reflects an intense attraction and desire for her.

[Chorus: Ryan Castro]
The chorus emphasizes the singer’s infatuation with the “modelito,” describing her as someone he loves and finds irresistible despite any potential consequences. The repetition of “mo-mo-mo-modelito” underscores his admiration and fascination with her, even hinting at a sense of obsession and excitement about seeing her.

[Bridge: Onyl & Ryan Castro]
In the bridge, the singer expresses a sense of determination and desire, stating his intention to “steal” something, possibly referring to the woman’s attention or affection. The phrase “it drives me crazy” conveys a sense of urgency and excitement about the prospect of pursuing her.

[Verse 1: Ryan Castro]
This verse describes the singer’s encounter with a webcam model, juxtaposing her sensual performance with his fiery passion for music. Despite cultural differences (“but I’m white”), he finds common ground in their shared enjoyment of Caribbean rhythms, symbolizing a connection through music and attraction.

[Chorus: Onyl & Ryan Castro]
Similar to the earlier chorus, this section reaffirms the singer’s love and admiration for the “modelito,” emphasizing his willingness to embrace any consequences for pursuing her. The repetition of “mo-mo-mo-modelito” reinforces his intense feelings and infatuation with her.

[Verse 2: Onyl]
The verse depicts a flirtatious interaction between the singer and a woman, fueled by the infectious energy of reggaeton music. The singer acknowledges the woman’s interest and desire for him, creating a playful and seductive atmosphere as they engage in a dance of mutual attraction.

[Refrain: Ryan Castro]
This refrain revisits the physical allure of the woman, highlighting her captivating features and the singer’s desire to pursue her despite any potential judgments. The repetition of questioning her name and expressing willingness to pursue her adds to the sense of longing and infatuation.

[Outro: Ryan Castro & Onyl]
The outro credits the artists involved in the song’s production while reinforcing the themes of attraction and confidence. References to “the disco,” “the street,” and “the Ghetto Singer” suggest a sense of ownership and empowerment, asserting their dominance in the music scene with their unique style and energy. The repeated phrases and sounds add a sense of exuberance and celebration to the conclusion of the song.