TENDER Lyrics – Quavo

[Intro]
N!ggas talking ’bout they ho loyal n!gga yo’ ho probably at the spot right now eating d!ck (You know what I’m saying?)
I’m next n!gga (You know what I’m saying?)
Yo’ ho in the spot

[Chorus]
Salazar stones carats bugs (Salazar stones)
You did the b!tch wrong and now the b!tch gone she posted with a thug (Yeah with a thug)
Call the b!tch phone she won’t come home don’t beat her up (Don’t beat her up)
It must be the drügs (It must be the drügs) need to cross out your plug yeah-yeah

[Post-Chorus]
Higging that thick lil’ s*it she bad she like to get hugs (Like to get hugs)
Told her she can post that s*it on the Fing but never in pub’ (Never in pub’ no)
Done fu*ked around and made her a member just because (Just because yeah)
Having your favorite rapper tender ’bout these girls (These girls)

[Verse 1]
Don’t shoot up the party (Don’t shoot) your lil’ ho she gnarly (Rockstar)
Your lil’ b!tch she want it, yeah she want an AP I go a Carti’ (Carti’)
Pu*sy dripping like water (Splash) pu*sy gon’ cause violence (Violence)
Rich n!gga gon’ spoil her you tender n!ggas a problem (Problem)
Sniper sitting on the roof (Sniper) I ain’t sparing none I’ma shoot (I’m telling ya)
She know I ain’t running out of loot (No no) brain one multiply by two (Let’s roll)
Pockets steak eating wagyu (Steak) n!ggas fake yeah they fast food (Fake)
I’m higher I’m flying to you (High) when I come outside they through (On God)
(Yeah)

[Chorus]
Salazar stones carats bugs (Salazar stones)
You did the b!tch wrong and now the b!tch gone she posted with a thug (Yeah with a thug)
Call the b!tch phone she won’t come home don’t beat her up (Don’t beat her up)
It must be the drügs (It must be the drügs) need to cross out your plug yeah-yeah

[Verse 2]
David Blaine go to Magic with my gang (David Blaine)
See Rick James diamonds white looking like coc*ine (His Rick James)
When I fu*k on that lil’ bitty b!tch yeah she do great (Suck it)
When you fu*k on that lil’ bitty ho yeah she lose weight (Trust me)
She used to be out on the boat and the paddle now she on the yacht (Yacht)
Trained to go when it’s time to battle yeah we on the block (Block whoo)
Wiping your nose with the tissue not wiping no snot (Snot whoo)
Tell me lil’ bro what’s your issue? It’s over a thot (Thot)
You said that it’s bigger than that (It’s big) but no it is not (No it is not)
It’s ’cause I be digging in that (Ya dig?) it got ’em hot (They got ’em hot)
I’m giving respect (S*it) but I know you not (I know you not)
Your b!tch on my neck (Your b!tch) your b!tch at the spot (Spot)
(Yeah)

[Chorus]
Salazar stones carats bugs (Salazar stones)
You did the b!tch wrong and now the b!tch gone she posted with a thug (Yeah with a thug)
Call the b!tch phone she won’t come home don’t beat her up (Don’t beat her up)
It must be the drügs (It must be the drügs) need to cross out your plug yeah-yeah

[Post-Chorus]
Higging that thick lil’ s*it she bad she like to get hugs (Like to get hugs)
Told her she can post that s*it on the Fing but never in pub’ (Never in pub’ no)
Done fu*ked around and made her a member just because (Just because yeah)
Having your favorite rapper tender ’bout these girls (These girls)

[Intro]
The lyrics suggest skepticism towards claims of loyalty in relationships, implying that while someone boasts about their partner’s faithfulness, the partner may actually be engaged in infidelity elsewhere.

[Chorus]
The lines convey a situation where someone mistreated their partner, causing them to leave and find companionship with someone else. The mention of drügs suggests a potential reason for the partner’s behavior change.

[Post-Chorus]
These lines describe a woman who enjoys attention and physical affection. Despite being warned not to publicize certain aspects of her life, she is embraced by a social circle simply for her attributes. The lyrics highlight the tendency for even prominent figures to express vulnerability or affection towards such women.

[Verse 1]
The verse 1 depicts a scene where caution is urged to avoid disruption, while also highlighting the allure of luxury and the consequences of indulgence. The mention of violence linked to desire emphasizes the destructive nature of materialism. The protagonist boasts of their wealth and readiness for confrontation, juxtaposed with the superficiality of those around them. Ultimately, the lyrics convey a sense of detachment from reality and a willingness to confront challenges head-on, regardless of the consequences.

[Chorus]
Chorus illustrate a scenario where someone’s mistreatment of their partner leads to the partner leaving for someone else. The mention of drügs implies a potential reason for the partner’s behavior change, with the speaker suggesting cutting ties with their drug supplier as a solution to the situation.

[Verse 2]
The lyrics in verse 2 conveys a narrative of indulgence and power dynamics within relationships. The references to David Blaine and Rick James symbolize extravagance and excess. The mention of s*xual encounters reflects a sense of dominance and control, with the speaker boasting about their prowess. The shift from a humble beginning to opulence implies a journey of success, while questioning the loyalty and integrity of others. The lyrics also touch upon conflict and confrontation, highlighting the speaker’s readiness to defend themselves. Overall, the song portrays a lifestyle of luxury, dominance, and assertiveness, with themes of loyalty, betrayal, and power struggles woven throughout.